Glowing Review of Bad Jews by Joshua Harmon (all about Daphna’s Iconic Lines)

Reading Bad Jews was the perfect antidote to my book-rage, courtesy of “An American family” in Risk! (which I talk all about in my rant review here), tackling the same issue of American assimilation in Jews.

Bad Jews is the story of Daphna Feygenbaum, a “Real Jew” with an Israeli boyfriend she met on Birthright. When Daphna’s cousin Liam brings home his shiksa girlfriend Melody and declares ownership of their grandfather’s Chai necklace, a vicious and hilarious brawl over family, faith and legacy ensues.

I went into this carefully paging through the pages, hoping to land into the story and get a feel of what direction this was going, either a) it was going to be a disaster on par with what raised my wrath in the first place to turn to this book or b) it was going to be exactly what soothes the raging storms in my head courtesy of that story. I practically went into the play with my eyes squinted close in fear. Thankfully (!!), Bad Jews came to settle for the latter soothing option.

In one line: I can’t even begin to explain how much I appreciate this play simply for existing. It not only raises vicariously important questions regarding religion and identity in Jews, but it dares to answer them expertly.

Also, thanks to the rising tempers established between Daphna and Liam from the very start, my breath was tight, following along their clap-backs from line to line, like a Ping-Pong match. Bad Jews is a genuine, concise story that moves at a delicious pace, thanks to Daphna’s lines.

Speaking of which, it’s while paging through the play that I stumbled along this exchange between Daphna and Liam’s shiksa that hooked me in like a spell.

DAPHNA
People are just people?
MELODY
Yes. People are people. It doesn’t matter that you’re Jewish or I’m—
DAPHNA
It doesn’t matter that I’m Jewish?
MELODY
No.
DAPHNA
It doesn’t matter?
MELODY
No.
DAPHNA
Well it matters to me.
MELODY
Ok.
DAPHNA
It matters to me very much.
MELODY
Right, but—
DAPHNA
And it’s mattered to hundreds of generations of my family.
MELODY
I know—
DAPHNA
But to you: meaningless.

This conversation right here is what I want to see more of. I’ve never seen such a daring character speak my thoughts aloud.

And I’m beyond grateful it didn’t stop here. There’s an incredible piece of writing that follows, and I want to shout it from the rooftops, but in the meantime, I’m sharing it here since that’s the closest route of action. The text’s long but such a worthful read, what with the quick pace that assures a smooth ride:

“You could actually date a woman who was your intellectual equal but instead you find these tepid little Bambi creatures to impose this hyper-masculine hegemenonical totalitarian regime on even though you like to like think you’re like this like super sensitive in touch sensitized like dork-chic Chicago grad student who’s like uber-liberal and totally devoted to the preservation of these little cultural studies because studying Japan is definitely worthy of five years of intensive labor, but studying torah for all of ten minutes is only worthy of total utter snide sniveling disdain; if you found yourself in the middle of a rain dance you would be soooo respectful trying to do every movement perfectly to like honor every Native American who ever lived, but if you found yourself in the middle of a hora— I’ve seen you in the middle of a hora— you look like you want to fucking die; if someone asks your religion you proudly state, “I’m an atheist” but the second anyone starts a little Israel-Palestine discussion, it’s like, find me a stopwatch and let’s count to ten because it won’t even take that long before I hear, “As a Jew …” because then you’re a Jew, but only when you can use it to bash all things Jewish which somehow makes you stand a little taller, doesn’t it, puts a little pep in your step like you’re so fucking enlightened even though you reek of fucking cliché; you haven’t lit a menorah since the nineties, but hello Facebook photos of you in a Santy Claus hat ho-ho-hoing it up next to the Christmas tree you put up in your apartment, and it was kind of obvious that, for whatever reason, you actually liked wearing that cheap fake crushed red velvet hat with the shitty white pom pom on the end, or maybe it wasn’t the hat, maybe it was just getting to stand under the mistletoe and smooch paper-cut-lips Melody, amazing, dynamic, smart-as-shit Melody, the icon of your ideal woman, because we know, a woman who’s actually trying to make something of her life and her intellect is worthy of your harshest criticism but a woman with zero career goals and maybe point two brain cells and less than no talent is a genuinely good person, you two must be so genuinely happy, spending time with her must be a scintillating experience, in fact, I myself had the chance to talk with her this evening and she really does offer up an intellectual feast for the mind, I can only imagine the topics you two must cover in your daily conversation, subjects like, how cute she looks on the bunny hill, or, how cute she looks in her Talbots secretary outfits, or really what it all comes down to: hhhhow nice it is to fuck an ethnic-free bush!
Yeah Shlomo. You’re right: your girlfriends aren’t inferior. You are.”

Mic drop. I truly think this deserves to be displayed in a museum.

Daphna touches upon 1) Jews assimilating so much so that they don’t define themselves as Jews and try to leech on to any other culture that has an opening. 2) Celebrating Hanukah is shameful yet putting up a Christmas tree doesn’t hold any religious aspects for you… 3) Crushing Liam to the GROUND.

The aforementioned is also the most thought-out argument I’ve ever laid my eyes on, and I’m raging that Liam didn’t address the TRUEST of objections and reasonings. Like, how can you hear all this and still think you’re right? HOW?

“Ah, yes, don’t respond to my truth. Dismiss me.”

Even going the extra mile of calling him out for what he really is: an anti-Semite. Non-practicing Jews can be just as severe in their hatred since they’re rebelling against their people and know exactly where it hits hard.

Hence my fuming upon Liam using “love” to his defense… YOUR IDEA OF “LOVE” DOES NOT TRUMP MORALITY. This right here is exactly the influence of Western culture that brainwashes people into giving everything up for Oh, Love heart-eyed sigh. It’s the idolization of “amour” that led the infamous playwright Molière to marry his own daughter. Or Shakespeare’s Romeo and Juliet that is pure puppy love, yet deemed to be the love of a lifetime, and without one must simply die. 

As I heard in a moving lecture, love isn’t merely physiological or romantic; something deeper has to found to establish a wider connection that will last the rising statistics. Sharing values and intellect is a great starting point; Get on it, Liam.

So, as you can read, Bad Jews got me beyond passionate and riled-up with words, thankfully, this time for the better. I cherish it when a book can get a good discussion out of me.

…Which is why I have to include one last piece of Daphna, who I’m low-key obsessed with, thanks to her excellent lines:

DAPHNA
Don’t you know what— don’t you see how this little object is— don’t you care?, that if you put that around her neck, you’re killing something.
LIAM
Killing something?
DAPHNA
Something that matters.
LIAM
It doesn’t matter.
DAPHNA
You are Poppy’s grandson. You know it matters.
LIAM
Not to me.
DAPHNA
You’re getting a Ph.D. in cultural studies!
LIAM
So?
DAPHNA
So culture matters! Who people are, matters. Look at the Nobel Prizes— look at how disproportionately Jewish people have achieved in economics, literature, science—
LIAM
Are we really gonna do chosen people talk? Really?
DAPHNA
22%! That’s the percentage of Nobel Prize winners who are Jewish.
LIAM
Now you’re memorizing Jewish statistics? Fuck.
DAPHNA
Do you know what our global population is? It’s not 22%, not even close.
LIAM
So in the hopes of more Jews winning Nobel Prizes I should marry a Jew? Is that seriously your point?
DAPHNA
No my point is, play this out. You get married, you two get married and you have kids, so they’re half-Jewish and half-Delaware. And that kid marries someone who is Asian, and they have a kid, so that kid is a quarter Jewish, a quarter Delaware, and half Asian, and that kid marries someone who is half-black and half-Puerto Rican and they have a kid, and so that kid is—
LIAM
They’re American!
DAPHNA
In a couple generations, all these kids are running around bearing the hyphenated names of cultures that no longer exist. It’ll be just one giant globalized corporate world populated by one kind of people, who all speak one language and shop at the same store and all look the same. That’s how it ends up unless—
MELODY
No, it’s like that John Lennon song! It’s our country, like, succeeding. Like, progress! No nations, no religions, no—
DAPHNA
A world without Jews is progress? 

Melody, a) nobody asked your cosmopolitan worldview b) John Lennon was anti-Semitic, so stop bringing him up as this leading example when you have no clue and c) the only reason people like Melody exist is for people like Daphna to put them in their place. I thrive off of this. Thank you, Daphna.

DAPHNA
How does your half-Jewish daughter teach her one-quarter Jewish daughter to be Jewish? Exactly how does that work?

And one more epic mic-drop for the road:

“DAPHNA
Ok. So stop. You know what? Let’s all stop. Let’s all decide, right now, we’re going to stop being Jewish. That’s what you want? You think you’re the first person to ever question it? Cause I bet there were people before us who had questions too, but they kept practicing. They didn’t stop. None of them did. And they didn’t exactly have it easy, but they never stopped. And this thing that people in our family were doing in 1900 and in 1800 and in 1500 and in 200 and in 500 BCE made it all the way here to us. That alone has got to at least give you pause. And so now, when it’s easier to be Jewish than it has ever been in the history of the world, now when it’s safest, now we should all stop?
I can’t. I can’t.
And if I know you at all, you don’t want me to stop either. Because if I stop, if we all stop, it will be gone. And you can’t get it back. Once it’s gone, it’s gone.”

This has been echoing in my mind all day.

I’ve included so many of Daphna’s incredibly revealing lines so that I can return time and again, since it perfectly words my thoughts on paper, in case I ever need a refresher of my opinions before discussions occur with a Liam™…

Towards the end, the most pivotal scene had me nearly screaming inside. The stakes were raised so high, I could practically hear the characters screaming off the page, and it made for such an exhilarating, fulfilling ending.

DAPHNA
Don’t put that …
Don’t you put that …
DON’T YOU FUCKING PUT THAT AROUND HER NECK!

At this point, when Daphna’s anger at the shiksa is spilling over, I was at the very edge of my seat, low-key hoping for the story to end with a certain someone ending up injured… I got my tiny, victorious moment when Melody exposed her true face after her ongoing “peace love & unity” façade.

“MELODY
Take me to the hospital. I want to go to the hospital.
LIAM
Really?
MELODY
Yes! I’m bleeding! And that thing is rusty! I could have been—
LIAM
It’s made of gold, gold doesn’t—
MELODY
It was in someone’s mouth! I could have an infection. I want to go to the hospital.”

This right here shows how undeserving she is to join this family and wear something as sacred as the Chai necklace that Poppy saved through the Holocaust as the only family heirloom and symbol of his family massacred by the Nazis. So Melody, kindly, go back to sleep and starve.

Bad Jews should be required reading for any Jew contemplating non-Jews. It raises so many epic scope themes and ideas through thrilling truths that one must hear at least once in their lifetime. A few of those include, as the author notes in the preface: “Why was I born a Jew? What is the value of Judaism today? What does it mean when someone born a Jew moves away from the religion, and chooses not to pass it on to the next generation? What does it mean to watch something go extinct?”

I’ll recommend this play over and over to anyone that’ll listen.

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Review: Landline by Rainbow Rowell, or Fate, Time, Television and True Love

The funny thing with Landline is that I didn’t even fully mean to reread it, I just started the first few pages and then bang I was flying through it in true Rainbow Rowell fashion (see: Why I Fangirl over Rainbow Rowell’s Fangirl (Spoilers: Levi)). I felt like I was at an all-you-can-eat buffet, filling myself with one more page, one more…

As far as time machines go, a magic telephone is pretty useless.

TV writer Georgie McCool can’t actually visit the past; all she can do is call it, and hope it picks up. And hope he picks up — because once Georgie realizes she has a magic phone that calls into the past, all she wants is make things right with her husband, Neal.

Maybe she can fix the things in their past that seem unfixable in the present. Maybe this stupid phone is giving her a chance to start over. . . . Does Georgie want to start over?

A heart-wrenching—and hilarious—take on fate, time, television and true love, Landline asks if two people are ever really on the same path, or whether love just means finding someone who will keep meeting you halfway.

Also funny is the fact when I first read Landline, back in 2015, I came out of it thinking it was my least favorite Rowell book, simply because at that time in my life I couldn’t have cared less about married people. But with this reread now, coming after three years, I can’t get enough of family-based stories. So I was delighted to discover how with time my perspective had changed and matured to the point of gobbling up every little detail concerning the marriage chronicled in here.

It’s so hard to capture all that I loved (because there’s so many specifics) but I tried my best by including it all below:

  • Rainbow Rowell’s signature humor is ever-present and on-point.

“It was so rare to make Neal laugh. . . .
Georgie used to tease him about being a waste of dimples. “Your face is like an O. Henry story. The world’s sweetest dimples and the boy who never laughs.”
“I laugh.”
“When? When you’re alone?”
“Yeah,” he said. “Every night when I’m sure everyone is asleep, I sit on my bed and laugh maniacally.”

I was trying to find the best way to describe the humor, when I stumbled upon this interview between Rainbow Rowell and her audio narrator Rebecca Lowman, discussing the book:

Rowell: “…You know what, I don’t like punchline, sort of zingy humor. So I’m not drawn to comedians who are very big. I like people who are just sort of talking and they’re funny when they’re talking. …”

This. This is exactly it.

As well as this quote from the book on savoring what we hold precious:

“I put it in my Save Box,” she said.
“What’s that?”
“It’s actually just a box. I, uh . . . I hate that feeling, you know, when you’re thinking about something you’ve read or heard, and you thought it was so smart at the time, but now you can’t remember it. I save things I don’t want to lose track of.”

This right here hits the core on why I write such extensive notes during my reading.

  • Georgie’s office scenes with Seth (and Scotty) reminded me then why I had such a hard reading this book the first time. They weren’t my favorite scenes since no one was shining or bringing anything new to the table. In particular, Seth threw me off my game at the end because I feel like he was flexing, what Reagan in Fangirl so lovingly calls, his best friend muscles just to remind everyone that he came first. I’m not a fan. Also: He can’t write anything decent down without Georgie around, which makes him a true Nick.

“They were supposed to end up together, Seth and Georgie.
Well, technically, they had ended up together. They’d talked every day since that first day they met.
But they were supposed to end up together-together. Everyone thought it would happen—Georgie had thought it would happen.
Just as soon as Seth exhausted his other possibilities, as soon as he worked through his queue of admirers. He hadn’t been in any hurry, and Georgie didn’t have a say in the matter. She’d taken a number. She was waiting patiently.
And then, one day, she wasn’t.”

  • And since we’re on the topic of my favorite Rowell book, I was so keen on reading about Neal and Georgie together because it felt like we were seeing Cath and Levi chronicled from Levi’s perspective. Georgie is the one initiating all contact with Neal, making sure she can get a laugh out him (at least one), whereas “solid, stolid” Neal is a tough nut to crack, similar to Cath with their difficulty establishing eye contact and needing a barrier between them, such as drawing cartoons (in Cath’s case, reading fanfiction out loud) to distract. And lucky for him, Georgie doesn’t want the easy thing. To paraphrase Attachments, she likes to work a little harder to get the thing she really wants.

“He’s the guy in the Life cereal commercial who hates everything. If Mikey likes you, you know you’re good. If Mikey likes you, it means something.”

  • The concept behind ‘once we notice something, we see it everywhere’ is beyond fascinating to me, so I liked how subtly Rainbow Rowell incorporated that shift between the two:

“How had she missed Neal until junior year? He’d started working at The Spoon as a freshman, same as her. Georgie must have seen him, without really seeing him, dozens of times. Was she that sucked in by Seth? Seth was extra sucky—pushy and loud, always demanding Georgie’s attention. . . .
But once Georgie noticed Neal, she saw him around the office constantly. She’d try not to stare when he walked past her desk on his way to the production room. Sometimes, if she was lucky, he’d look her way and nod.”

Rowell excels at procuring real authentic moments.

“Can we go back and start over?”
“How far back?” Georgie tried to fold her arms, but she was still holding that stupid Zima.
“Back to the wall,” he said. “Back to you walking across the living room toward me. To you saying, ‘I’m surprised to see you here.’”
“Are you saying you want to go back to the living room?”
“No. Just go ahead, say it again now.”
Georgie rolled her eyes, but she said it: “I’m surprised to see you here.”
“You shouldn’t be,” Neal said. He lifted his chin and looked directly in her eyes. For the second time in five minutes. For the second time ever. “I’m here because I knew you’d be here. Because I hoped you would be.”

That moment when people stop playing games (Gemma Collins echo) with one another and just present their real selves… Showing someone you’re keen on them and having it reciprocated is a grand gesture.

I equally loved those tiny, intimate moments sprinkled throughout their married life:

“Stop. You’re blowing my mind.”
“Oh, I’ll blow your mind. Girlie.”
“Are you flirting with me?”
He’d turned to her then, pen cap in mouth, and cocked his head. “Yeah. I think so.”
Georgie looked down at her old sweatshirt. At her threadbare yoga pants. “This is what does it for you?”
Neal smiled most of a smile, and the cap fell out of his mouth. “So far.”
Neal . . .”

As well as featuring really beautiful metaphors with flowers, like: “Pizza girl’s name was Alison, and Heather’s face followed her around the room like a sunflower chasing daylight.”

And: “(Neal’s face was like a flower blooming—you’d need time-lapse photography to really see it in action. But Georgie’d become such a student of his face, she could read most of the twitches.)”

  • Regarding the major plot line of the magic telephone, I could only think of this:

To give some background, this quote led me to it: “Georgie exhaled when she heard Neal’s voice, then resisted the urge to ask him who the president was.”

  • I’ve been holding off, but I really have to end on the most epic cameo to appear in this book, featuring my all-time favorite couple: Cath & Levi. I really thought before starting that it wouldn’t hit me as hard because I’ve already read it before. But it’s been so long and LEVI’S STILL SO GOOD.

“Can we help you find something?” someone said.
Georgie turned. It was the ecstatic young couple. Still hanging on each other, as if neither of them could quite believe the other was finally here.
“Taxi stand?” Georgie said.
“You’re looking for a taxi?” the boy asked. The man. She should probably call him a man. He must be twenty-two, twenty-three; his hair was already thinning.”

My boy is all grown up. bookspoils“Wait a minute.” The boy got out of the truck, then hopped back inside thirty seconds later with his duffel bag. He unzipped it, and clothes spilled out. He started heaping them in the girl’s lap. “Here,” he said, pulling out a thick, gray wool sweater. “Take this.”
“I can’t take your sweater,” Georgie said.
“Take it. You can mail it back to me—my mom sews my address inside everything. Take it, it’s no big deal.”

LEVI GOES OUT OF HIS WAY TO MAKE SURE GEORGIE GETS SAFELY TO HER DESTINATION (on top of the snowy hill).

And Cath caught up with Levi’s good habits along the way because when they notice Georgie’s shoes not having foolproof cover from the Omaha snow, this happens:

“Oh for Christ’s sake,” the girl said. “You can wear my boots.” She reached for the floor. Georgie noticed she was wearing a small engagement ring. “You can have them. I don’t even like them.”
“Absolutely not,” Georgie said. “What if you get stuck in the snow?”
“I’ll be fine,” she said. “He’d carry me across the city before he let me get my feet wet.”

Levi would do it in a heartbeat!! Cue my tears.

I really thought that time would pass and one day I would be ready to move on. But these characters are my home, and I’m never going to stop missing them.

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Screen Shot 2018-02-28 at 09.46.55I’ll close off by sharing this beautiful alternate cover for Landline, which has the best details from the book; the Polaroid!!

Source

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Note: I’m an Amazon Affiliate. If you’re interested in buying Landlinejust click on the image below to go through my link. I’ll make a small commission!

Wedding Shenanigans, Family Disasters, and Childhood Crushes in Save the Date by Morgan Matson

“It was that feeling like when the lights come up after a movie—how it takes a minute to let go of the world you’d been immersed in. ”

I’ve been patiently waiting for this newest Matson’s book, back when its release date had been set for the same day as Sarah Dessen’s Once and For All, both surrounding the wedding season, though, the latter is more on planning than attending one. Save the Date still holds the same hectic atmosphere since the main event – the wedding – is taking place at the Grant’s house with a bunch of siblings set to arrive all at once.

But I’m getting ahead of myself. Let’s start at the beginning:

Charlie Grant’s older sister is getting married this weekend at their family home, and Charlie can’t wait—for the first time in years, all four of her older siblings will be under one roof. Charlie is desperate for one last perfect weekend, before the house is sold and everything changes. The house will be filled with jokes and games and laughs again. Making decisions about things like what college to attend and reuniting with longstanding crush Jesse Foster—all that can wait. She wants to focus on making the weekend perfect.

The only problem? The weekend is shaping up to be an absolute disaster.

Over the course of three ridiculously chaotic days, Charlie will learn more than she ever expected about the family she thought she knew by heart. And she’ll realize that sometimes, trying to keep everything like it was in the past means missing out on the future.

I forgot how quickly these contemporary reads go by. You start to get into it and then poof the book’s over.

Save the Date, in particular, hit it off with a bang by starting with a romantic get-together that swept me right into the storyline. I’m a (low-key) sucker for obsessional crushes, so seeing Charlie’s keenness on her childhood crush was all too real; Jesse Foster is no longer a boy in her eyes, but a mythical figure that can do no wrong.

The book hits the mark on experiencing unrequited crushes and observing from the sidelines. Like my favorite quote from To All the Boys I’ve Loved Before conveys: ‘You’d rather make up a fantasy version of somebody in your head than be with a real person.’

I mean, I can’t stop thinking about this:

“Jesse didn’t move over from his spot on the middle cushion, so when I sat on the couch, I was closer to him than I had ever been before, except for two memorable occasions—when we’d been stuck in an elevator together at a laser tag place for Mike’s fourteenth birthday, and a memorable car ride when I was twelve and we’d been coming back from playing mini golf in Hartfield, all of us crammed into the car, and somehow, I’d ended up in the way back next to Jesse, Mike on his other side. And Jesse kept turning to talk to Mike, which meant he kept leaning into me, his bare leg pressing against mine. It had been a thirty-minute ride home, and the whole time, I’d prayed for a traffic jam, a road closure, a flat tire—anything to keep it going longer. So, as I sat on the couch next to him now, it was with full awareness that this proximity to him—voluntary, as opposed to car-logistic mandated—was a brand-new thing.”

rubs hands together Now, it’s getting good.Save the Date 2-- bookspoils

“She didn’t know what it was like to look and wish and want, always two steps behind the person, always on the edges of their life. What it was like to stand next to someone and know you weren’t registering with them, not in any meaningful way. That you thought about someone a thousand times more than they’d ever thought about you. To know that you were just a face in the crowd scenes while they were center stage. And then, all at once, to have the spotlight finally swing over to you. To suddenly be visible, to be seen, no longer one of the people in the background who never get any lines. To suddenly be in the midst of something you’d only ever looked at from the sidelines. What that felt like when it finally happened, dropped in your lap when you were least expecting it, like a gift you were half-afraid to open.”

This right here is exactly why I so love Wren’s line from Fangirl: “That moment,” she told Cath, “when you realize that a guy’s looking at you differently—that you’re taking up more space in his field of vision. That moment when you know he can’t see past you anymore.” 

I’ll never tire of seeing books get it right when discussing something close to heart. I was living vicariously through Charlie and Jesse’s interactions, which is why this became such a pivotal reading experience for me when it went the extra mile of showing the reason these types of crushes don’t tend to develop any further is because you hold them on this invisible pedestal, whereas for them you’re just a body in a crowd.

“He was a nice guy. He was cute, and he was a great kisser. But that was actually all I really knew about him, Jesse the actual person. I couldn’t have told you his favorite movie, or his roommate’s name, or his greatest fear. He wasn’t who I thought he was all those years, because that person didn’t exist. That Jesse was just a compilation of everything I’d projected onto him, coupled with a handful of real-life interactions that I’d given far too much value to.”

Her anthem should include Dua Lipa’s New Rules.

Analysing and reading into their every move can become exhausting really quickly, so I was beyond grateful to safely experience from the sidelines where all this can lead to with Save the Date. (Another great book that touches upon this is The Great Alone by Kristin Hannah.)

I’m putting that major revelation aside by moving on to discuss the actual book, which is ‘what you see is what you get’ synopsis-wise since the entirety of it is set around three hectic wedding days (without any major flashbacks). Consequently, the usual contemporary, summer fun isn’t quite as present here as with Matson’s previous books, especially when each developing storyline could be detected from a mile away.

The only remaining upside Save the Date held for me were Charlie’s siblings with their dynamic personalities put into one house. It’s the little things that made them seem so close to me. Like, calling for “witnesses” when making a bet, or their “not it” gesture of pulling on their earlobe.

“This was one of the thousands of tiny things that only happened when we were together, one of the things you didn’t know you’d miss until it was gone.”

It’s these details that are able to procure real, authentic moments.

“Mike Drop?”
“No!” I said quickly. Mike Drops were something that J.J. and Danny had done a lot when Mike was in elementary school and they were much, much bigger than he was. It was true to its name—Danny would pick up Mike, yell “Mike Drop!” and toss him in the air and J.J. would dash in and catch him just before he hit the floor. All of which had worked out great when Mike was six. But as they’d all gotten older, J.J. sometimes forgot to catch him, and they had a way of getting people injured, sometimes all three of them in the same Mike Drop.”

They were a never-ending hoot to read about. As well as the scarcely Grant Central Station comic strips scattered throughout.

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Plus, there’s the added bonus of featuring quite the creative chapter titles that make for a compelling road ahead, with favorites including: “Or, Acronyms Are Not Always a Good Idea Or, AANAAGI” & “Or, 98% of All Statistics Are Made Up on the Spot.”

Overall, Save the Date was an enjoyable YA read, though a bit rushed in places, and included just the right amount of fun and laughter.

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Note: I’m an Amazon Affiliate. If you’re interested in buying Save the Datejust click on the image below to go through my link. I’ll make a small commission!